Given my role as Keeper of one of the largest ceramic collections in Europe, I suppose I was somewhat blinded by the splendours apparent in ceramics from the Far East, Near East and, indeed, pre nineteenth century European traditions in the medium.
Against this background perhaps I could be excused for neglecting certain modern ceramics as represented in contemporary British Studio wares. In view of my impending responsibilities in 1978, arising from my appointment as a tutor on a degree studies course, I felt it essential that I embark without delay on a process of discovery regarding the above subject, this title being, in part, a result of the ensuing exercise.
Form, Pattern & Function in British Studio Ceramics Before 1980
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